Indya Moore

Set in 1994, the third and final season of the dance musical series sees Blanca balancing life as a mother with life as a loving partner—all in the backdrop of the AIDS epidemic and the shadow of her ballroom memories.

Taylor Russell returns alongside director Adam Robitel in the sequel to the 2017 psychological horror set inside a labyrinth of deadly rooms.

A dance musical that explores the juxtaposition of several segments of 1980s life and society in New York: the ball culture world, the rise of the luxury Trump-era universe and the downtown social and literary scene.

Season 2 flashes forward to 1990. On the heels of the ballroom community establishing itself in pop culture, the House of Evangelista is forced to reevaluate its goals. Meanwhile, the AIDS crisis worsens and tensions reach a fever pitch.