The Grand Budapest Hotel

The Grand Budapest Hotel


Writer-director Wes Anderson's Academy Award-winning follow-up toMoonrise Kingdom, starring Ralph Fiennes as Mr. Gustave, the unflappable and perfectly composed concierge of the eponymous hotel. Shot in Germany, the all-star cast also includes Saoirse Ronan, Jude Law, Willem Dafoe, Adrien Brody, Edward Norton, Harvey Keitel and Jeff Goldblum.... More

Alpine Europe's remarkable Grand Budapest Hotel saw its glory days in the 1930s. It's in this period that new lobby boy Zero Moustafa (newcomer Tony Revolori) learns the tricks of the trade from Mr Gustave, falls in love with a baker's assistant (Ronan) and finds himself mixed up in quite an adventure. When Gustave inherits a priceless painting from a wealthy female guest of the hotel, one of many he served as a companion to, her son (Brody) stops at nothing to regain it - let alone murder. As the shadow of war falls across the country, Gustave and Zero embark on a madcap dash for survival.

Anderson has given hints to the tone and story, citing little-known Austrian novelist Stefan Zweig, filmmaker Billy Wilder, and the warm comedies of Ernst Lubitsch as inspirations. Says Anderson: "It's kind of European, inspired partly by Hollywood Europe, and also by some European writers around that time... that Europe which is not made in Europe at all [but instead] on the Hollywood back lot, even though we’re actually going to Europe to do it. It’s got some of that kind of thing in it."Hide

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Flicks Review

Set to be Wes Anderson’s highest-earning film, The Grand Budapest Hotel follows on the heels of the also successful Moonrise Kingdom in matching his now-familiar odd-bod aesthetic with a mainstream audience. But where Moonrise was awash with wistful nostalgia in its take on adolescence, romance and scouting, Anderson’s latest mines its period setting in service of a broadly comical tale which enjoys frequent diversions into both black and off-colour humour even as a body count amasses and the Second World War threatens to intrude on the borders of the titular hotel’s fictitious homeland.... More

The cast list deceptively points to another sprawling ensemble effort, but despite the bountiful number of familiar faces on display and the amount of wandering in time and aspect ratio the film does, its arguably the most fixed around an individual performance of any Anderson pic since Rushmore. In a rare comic lead performance, Ralph Fiennes throws himself into a character that, thanks to Anderson’s screenplay, frequently offers unexpected laughs. As Mr Gustave – hotel concierge, elderly guests’ “companion”, perfume enthusiast and over-user of the word “darling” – Fiennes makes full use of the character’s ambiguity in class, legality, manners and sexuality, aided by whip-smart dialogue and a welcome eagerness to ham things up when required.

Unmistakably Anderson in style and tone, complete with some hilarious The Fantastic Mr Fox-sque moments, it’s satisfying to see this level of craftsmanship applied to a film that is often so silly it’s a pure delight to watch. Though as time catches up with Mr. Gustave and his hotel, it’d seem that there is a larger vein of bittersweet nostalgia lurking than you’d detect during Grand Budapest’s many side-splitting moments…Hide

The Peoples' Reviews

Average ratings from 34 ratings, 38 reviews
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This is a typical Wes Anderson movie with a dreamy wardrobe, beautiful actors and fantastic sets. From the props to the way each shot filters into another, this movie is pure genius.
It starts off a little slow but once the story gets going, there's not much to top this movie. All of the characters are well thought out as is normal for an Anderson movie, it remains quirky and indie and artsy but it appeals to a large audience.
This is the perfect date night movie or lazy Sunday afternoon film... More to put on when it rains.Hide

BY thorinoak superstar

Quirky, fun, and visionary from Mr. Anderson and one of the best performance's of Ralph Fiennes to date. Superb fun.

BY par3000 nobody

Wes Anderson is a visionary.

BY GrahamP superstar

This seemed to be a load of drivel.A mess of endless scenes that meant very little.
There was not one bit of humour in the film.

I expected more. Beautiful scenery, yes, but the characters are caricatures, very ugly caricatures, so have little substance, and are hard to sympathise with. Watch, only if you're arty-farty, or have nothing better to do.

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The Press Reviews

92% of critics recommend.
Rotten Tomatoes Score. More reviews on Rotten Tomatoes

  • A nimblefooted, witty piece, but one also imbued with a premonitory sadness at the coming conflagration [World War II]. Full Review

  • A captivating 1930s-set caper… offers a vibrant and imaginative evocation of a bygone era. Full Review

  • An idiosyncratic period comedy that will delight connoisseurs more than the wide public. Full Review

  • There’s nothing like the glow of a truly great film—and this could be Wes Anderson’s keeper—to trigger some niggling reservations. Full Review

  • Another meticulously stylish and deadpan Wes Anderson movie that walks the fine line between masterpiece and folly. Full Review

  • Like the eye-catching cakes Agatha makes, Anderson’s eighth feature has a heft beneath its icing, heart behind its artifice. Check in, and you won’t want to leave. Full Review

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