Flicks, Luke Buckmaster
The great American critic Andrew Sarris once reflected on what he described as “the hard lesson” of film history, proposing that posterity does not subscribe to the high/low art divide. “The throwaway pictures often become the enduring classics whereas the noble projects often survive only as sure-fire cures for insomnia,” he wrote, suggesting that play-to-the-back-rows movies like Skyscraper – about an amputee (Dwayne Johnson) who rescues his family from a towering inferno – prick the public consciousness more often than lofty projects that probe the human condition.
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