Andrea Riseborough (Mandy) leads this Sundance sci-fi horror from Brandon Cronenberg (Antiviral) about a different kind of assassin - one that uses brain-implant tech to overtake other people's bodies to perform hits.
Flicks' #1 film of 2020, a nasty sci-fi horror about a body-swapping assassin (Andrea Riseborough) losing her mind. Delivered with all the gory, icky, trippy panache of a Cronenberg (David's son Brandon directing here).
With its ruthless violence and highly stylised storytelling, Possessor will likely not be for everyone—either have a strong stomach or cover your eyes, because just like his dad, Cronenberg jr. has a gift for body horror. But, if you can handle it, this scathing, enigmatic film is the best sci-fi to hit screens in years, and an experience that you won’t be able to get out of your head.
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Though Possessor favors nihilist spectacle to existentialism, Brandon Cronenberg is more interested in exploring emotional dislocation than Christopher Nolan.
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Andrea Riseborough occupies actor Christopher Abbott in a daring sci-fi parable that pushes the limits of what audiences can (or should) bear.
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It is a singular work – one so ghastly, so unique, and so brutal that it will awe some and disgust others.
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Cronenberg has created a mind-bending trip of a movie with more to say than your average actioner and is supported by spectacular performances and make-up and practical effects that seal the deal. Brace yourself. Possessor is brilliant.
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There's an emotional logic to the action and imagery, carrying viewers along even if they're not quite sure if they're rooting for the innocent man or his troubled attacker.
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Possessor never manages to wrest control of your mind, but it’s unnervingly good at getting under your skin.
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Possessor is ultra stylish and uber violent, but, despite a top tier cast, it’s not always entirely clear what is going on and who is in control of the finger on the trigger.
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