Love & Mercy
The life of reclusive Beach Boys singer-songwriter Brian Wilson, played by both Paul Dano and John Cusack. From Wilson's genre-defining album Pet Sounds to his nervous breakdown and treatment by the controversial psychotherapist Dr. Eugene Landy (Paul Giamatti), who became excessively entangled in Wilson’s private life.
Dano (There Will Be Blood) and Cusack (High Fidelity) play the young and old Wilson respectively, while Elizabeth Banks (The Hunger Games) is Wilson's second and current wife, Melinda Ledbetter. This is the first film directed by Bill Pohlad for over 20 years, his producing credits include 12 Years A Slave, The Tree Of Life and Brokeback Mountain.
- Director:
- Bill Pohlad ('Old Explorers')
- Writer:
- Oren Moverman
- Cast:
- Paul DanoJohn CusackElizabeth BanksPaul GiamattiJake AbelDee WallaceKenny Wormald
Reviews & comments
Flicks, Steve Newall
flicksA fascinating life does not necessarily a fascinating biopic make. Thankfully Love & Mercy zeroes in on two specific phases of Beach Boy Brian Wilson’s troubled life, sparing us the dreary chore of ticking off all significant events along the way. Relief also comes by way of casting, with no prosthetics or uncanny valley CGI required to bring younger and older versions of Wilson to life.
Time Out
pressDoes an exquisite job with the interior spaces: cozy vocal booths, locked-off bedrooms, air-conditioned safety zones.
The New York Times
pressIt's a loving tribute to the Beach Boys and the man responsible for their distinctive sound, but it goes to deeper and stranger places than most movies of its kind.
The Guardian
pressWilson's life has been unusually rich. This biopic, like any biopic, is a cocktail of fact and myth. It's very sensitive to its subject, which can sometimes leave it feeling slight.
The Dissolve
pressAn earnest attempt to convey the essential truth of Wilson’s extraordinary career and difficult life animates both halves of the film, and both performances.
SBS
pressThe Dano sequences also benefit enormously from the dense sound collages created by composer Atticus Ross and utilised by director Bill Pohlad to dramatise Wilson's inner turmoil.
Hollywood Reporter
pressA deeply satisfying pop biopic whose subject's bifurcated creative life lends itself to an unconventional structure.
Flicks, Steve Newall
flicksA fascinating life does not necessarily a fascinating biopic make. Thankfully Love & Mercy zeroes in on two specific phases of Beach Boy Brian Wilson’s troubled life, sparing us the dreary chore of ticking off all significant events along the way. Relief also comes by way of casting, with no prosthetics or uncanny valley CGI required to bring younger and older versions of Wilson to life.
Time Out
pressDoes an exquisite job with the interior spaces: cozy vocal booths, locked-off bedrooms, air-conditioned safety zones.
The New York Times
pressIt's a loving tribute to the Beach Boys and the man responsible for their distinctive sound, but it goes to deeper and stranger places than most movies of its kind.
The Guardian
pressWilson's life has been unusually rich. This biopic, like any biopic, is a cocktail of fact and myth. It's very sensitive to its subject, which can sometimes leave it feeling slight.
The Dissolve
pressAn earnest attempt to convey the essential truth of Wilson’s extraordinary career and difficult life animates both halves of the film, and both performances.
SBS
pressThe Dano sequences also benefit enormously from the dense sound collages created by composer Atticus Ross and utilised by director Bill Pohlad to dramatise Wilson's inner turmoil.
Hollywood Reporter
pressA deeply satisfying pop biopic whose subject's bifurcated creative life lends itself to an unconventional structure.
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