Eighth Grade is a beautiful film for everybody – not just teenage girls
A film for the 13-year-old girl inside all of us.
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Mary Poppins is back – and her ‘inspirational’ messages are really quite atrocious
Mary Poppins is many things, but this time around an inspiration is hardly one of them.
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The best films of 2018
From possessive demons to hurricane heists and identical strangers – critic Luke Buckmaster explores his favourite films of the year.
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Every Netflix original film from 2018 reviewed
Our critic achieved the epic task of watching and reviewing every original Netflix film from 2018.
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The Dick Cheney biopic Vice is a slanted but entertaining political commentary
Christian Bale heaves and growls and stinks up the screen.
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Coming to terms with the self-sabotaging beauty of Roma
There are many things to consider about the beautiful way this film was shot.
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Why Spider-Man: Into the Spider-Verse belongs to one of modern cinema’s most exciting movements
And this movement has nothing to do with superhero movies.
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Robert Rodriguez’s 18 minute VR film The Limit is a wild and visceral ride
The latest action film from director Robert Rodriguez will not be coming to a cinema near you.
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Early look review: Dragged Across Concrete is an art film disguised as a B movie
It lures audiences with the promise of exploitation then delivers them slow-burning drama.
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Netflix’s brilliant thriller Cam is an electrifying experience that will be debated for decades
A dazzling thriller that says important things about the current world live in.
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On its 30th birthday, John Carpenter’s cult classic They Live is more relevant and compelling than ever
It’s time to revisit John Carpenter’s prophecy of a world clogged by signals and stimulus.
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Does the new and sensationally horrific Suspiria have style, or merely impersonate it?
This remake of the 1977 cult classic is sort of beautiful and sort of horrific.
