
Flicks, Craig Mathieson
Call it The Fast and the Curious. Director James Mangold’s ability to infuse unexpected detail and emotional relevance into familiar genres – an approach seen as early as 1997’s Cop Land and given stark fulfilment by 2017’s Logan – shines through in this automotive drama, where the goal of winning a supposedly unobtainable race becomes the lens for friendship, frustration and ultimately release.
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