
Little White Lies
It’s genuinely astonishing how the script manages to keep adding increasingly absurd but exciting new complications...
Full reviewJake Gyllenhaal, Eiza González (Baby Driver) and Emmy winner Yahya Abdul-Mateen II (Watchmen) lead this Michael Bay action film about two brothers who resort to hijacking an ambulance when a robbery doesn't go to plan.
It’s genuinely astonishing how the script manages to keep adding increasingly absurd but exciting new complications...
Full review(Gyllenhaal) appears to have an affinity for English-language remakes of Danish hits... unfortunately, the Denmark-to-Gyllenhaal pipeline continues to disappoint.
Full reviewThis popcorn thriller certainly is not brainy, but its escapism has a muscular precision.
Full reviewAfter endless mugs of freeze-dried decaf, Ambulance is the real-deal triple espresso.
Full reviewAmbulance is a purely aesthetic beast, made for those who like their films to look like they’ve been edited by someone in the middle of a panic attack...
Full reviewAt the risk of damning with the faintest praise, this is easily Bay’s best film in more than 25 years.
Full reviewNoisy, messy and frequently absurd - yet still somehow his most gleefully entertaining effort in at least a decade.
Full reviewA decently premised B-movie stretched out to an interminable 136 minutes...
Full reviewAmbulance has everything … except actors giving a decent performance as believable characters in a workable script.
Full reviewIt’s a Michael Bay movie... But it’s also more than that. It’s “the” Michael Bay movie. He’s finally done it.
Full reviewThis vehicle cannot make its speedometer tick past "sporadically entertaining".
Full reviewWith its gripping premise paired with engaging performances from all involved, Ambulance could have made for a top-tier action drama. But it falls short simply because Michael Bay can’t help himself...
Full reviewJake Gyllenhaal and Yahya Abdul-Mateen II are bank-heisting brothers in Michael Bay’s latest vroom-fest.
Here’s sandbox cinema at its best, with slo-mo Bayhem happening in every corner of the frame.
Bay’s camerawork and editing insist that every moment is the single most intense ever captured on film.
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