Rachel Ashby

“Ana Scotney embodies the taut desperation at the heart of this film with an exhilarating performance.”

There’s an ambitiousness that makes this worth heading into the cinema for (before it hits Netflix this month).

Satire stars Bardem as a magnanimous and manipulative businessman oozing with corporate snake oil.

When all is revealed, it’s hard to tell what position the film takes on the socio-political themes at play.

There is anger in this film, and rightly so. It rings out like a warning shot and a reminder to honour the past.

There is anger in this film, and rightly so. It rings out like a warning shot and a reminder to honour the past.

There’s little in the script to allow Daisy Edgar-Jones a chance to flex her character’s emotional dexterity.

A powerful portrait and also a breathtaking picture of nearly a century of social history.

“Where to start with Nude Tuesday? To say the film is audacious would be an understatement.”

Natasha Lyonne continues to be terrifyingly cool as she does the time warp again.