
Mulan is a visually arresting epic with serviceable fight choreography
This film is a meticulously mounted period adventure that’s good enough for you to wish it was a little better.
07 Sep
At an impressionable young age, Aaron was traumatised by Philippe Mora's 1982 monster flick The Beast Within and has never looked back.
This film is a meticulously mounted period adventure that’s good enough for you to wish it was a little better.
07 Sep
The Assistant might be the most unsparing portrayal of modern workplace toxicity since In The Company of Men.
26 May
Noble but frustratingly uneven attempt to revitalise stale haunted house conventions.
24 Feb
Should keep anyone with an appetite for bloodthirsty action satiated.
19 Sep
A much-needed gasp of air from tentpole franchises.
11 Jul
If you came for a doll saying profanities, this isn’t it.
19 Jun
The film is low-boil Soderbergh-lite.
20 May
This could have made for a rich, elegant, atmospheric horror flick.
18 Apr
Warning: this one will hurt.
30 Jan
May heat up your déjà vu meter, writes Aaron Yap.
07 Jan
It’s also Welles’ giant last-gasp fart at Hollywood, a deeply cynical meta-movie.
05 Nov
Gaga and Cooper ooze charisma and chemistry.
15 Oct
Damien Chazelle has made a stodgy, pedestrian biopic.
08 Oct
Aaron Yap on the prequel spin-off to the sequel.
06 Sep
Often when it seems like there’s nowhere for zombie movies to go, a little out-of-left-field film comes along to prove you wrong, squeezing a smidgen more life out of the genre’s exhausted conventions. Aussie epidemic pic Cargo does just that: injecting bracing, subtle layers into long-established flesh-munching lore while not completely reinventing anything. Its family-in-peril […]
21 May
It’s an earnest David vs Goliath story with no fancy outfits, geeky gadgets or elaborate team-ups.
30 Apr
Last Flag Flying is at once burdened and enriched by the past, writes Aaron Yap.
25 Apr
There’s a nagging seen-it-all-before sensation that hangs over this 90-minute repackaging.
22 Mar
Calculated to appease both secular and non-secular audiences. The Passion of the Christ this isn’t.
12 Mar
Should’ve made for a unique, even potent, supernatural period piece. Unfortunately, it doesn’t writes Aaron Yap.
28 Feb
I’m still uncertain if I buy 31-year- old Armie Hammer as a 24-year- old, but man, Luca Guadagnino’s Call Me by Your Name sure does sell its love story.
11 Dec
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