science-fiction

It’s been called a “sci-fi horror comedy about soul-sucking demons declaring war on the human race.”

There’s barely a hint of otherworldly goo or transformative delight.

There’s a degree of spectacle but this is a misshapen movie.

We revisit a franchise that is sometimes terrific, sometimes terrible, but always memorable. 

Terry Gilliam has carved out a place for himself as one of cinema’s most striking and original fantasists.

Here are three under-rated The Rock movies.

From the outset, The Animatrix was an unusual prospect.

The critics never cared for it, but screw ’em.

George Miller’s seminal dystopian action movie turns 40 this year.

Now here’s a dystopian science fiction film with a difference.

What is all this hullabaloo about Dune, we hear you ask?

It’s got philosophically chewy ideas and a lot of spunk.

A big and beautiful blockbuster.

High Life is just one of many excellent sci-fi films directed by women.

There are absolutely insane movies on SBS On Demand right now.

His filmography includes seeing dead people, alien crop circles, aggressive plants and creepy grandparents.

Two awesome classics will return to the big screen: Don’t Look Now and The Man Who Fell to Earth.

He might be known as a master of horror, but John Carpenter’s musical prowess is just as legendary.

Science-fiction shows us what we’ve never seen to tell us about what we’ve always known.

This new film saddles its Aussie cast with unconvincing American accents – but can’t massage a moody sea of clichés into something substantial.

There are high hopes for this Adelaide-shot thriller, based in a futuristic world where a teenage girl is raised by a robot.

There are certain moments in pop culture history that feel like turning points even before they happen.