The body count goes through the roof in the bloody and ornate John Wick 3
The contract killer in the black suit and blacker mood is not so much a killing machine as an entire assembly line for dead bodies.
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Wine Country has a fantastic boozed-up cast, but they have more fun than the audience
This film clunkily tries to corral its fantastic cast into a bland feel-good narrative.
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Detective Pikachu is risk-averse goop, with a thoroughly kickable CGI sidekick
Ah yes: the bad movie with the cute, furry, out-of-this-world thing and human actors attempting to keep a straight face.
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New to Netflix, Prospect is an above-average sci-fi Western gem
A lot more to offer than just being an exercise in trope regurgitation.
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Triple Threat is a lean, muscular and brutally brisk action-thriller
A lean, muscular action thriller that knows what its principal charms are and goes out of its way to deliver them in spades.
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The Ted Bundy biopic Extremely Wicked, Shockingly Evil and Vile is empty and pointless
The director seem determined to avoid answering any of the questions that might have made this film interesting.
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Kenneth Branagh’s Shakespeare drama All is True rings false
Shakespeare scholars will not be pleased.
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We loved the absolute hell out of rom-com Long Shot
Rogen and Theron are funny as all hell.
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The Extraordinary Journey of the Fakir delivers a fun European feel-good trip
Proves optimistic and full of enough feel-good humanity.
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Avengers: Endgame is a mostly worthwhile epic that will satisfy fans
Maximal as ever, Endgame stays true to the Avengers ethos by being more than one film.
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Netflix’s Someone Great tepidly tries to cross Broad City with Blue Valentine
“Easily the best thing about Someone Great is its cast.”
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Celeste is a beautiful looking drama that elevates the problems of bored wealthy people
Part steamy murder mystery, part Greek tragedy, and entirely frustrating.
