The Irishman

The Irishman

STREAMING SOON27 November 2019
The Irishman

Clocking in at nearly three-and-a-half hours, the great Martin Scorsese directs Robert De Niro in this epic true crime biography penned by the Oscar-winning writer of Schindler's List. De Niro is digitally de-aged as real-life mob hitman Frank Sheeran, who recalls his possible involvement with the slaying of Jimmy Hoffa (Al Pacino). Joe Pesci co-stars (in his first role since 2010) along with Oscar winner Anna Paquin, her The Piano co-star Harvey Keitel, Ray Romano, Jesse Plemons and Bobby Cannavale.

2018Rating: CTC209 minsUSA, Mexico
CrimeDramaTrue Story & BiographyHistorical
90%
want to see

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Reviews & comments

FilmInk

FilmInk

press

From the opening tracking shot and accompanying song – a la Mean Streets – we are reminded that we’re in vintage Martin Scorsese territory here. But the self-referential elements are sparing, appropriate and – like everything else about this phenomenal movie – pitch-perfect.

0
Sydney Morning Herald

Sydney Morning Herald

press

The Irishman is pure cinema, all three and a half hours of it – and one of Scorsese’s jazziest, most difficult films, borrowing from many sources while riffling freely though often mournfully on the themes and techniques of his previous crime epics Goodfellas and Casino.

4.0
0
Vanity Fair

Vanity Fair

press

I found myself reluctantly taken by the movie, and the way Scorsese uses it to maybe, just a little bit, atone for some of his own past blitheness about violence.

1
Screen Daily

Screen Daily

press

The Irishman is vintage Scorsese, with an often sinuously moving camera, occasional break-the-fourth-wall monologues, wicked wise-guy humour, and explosions of sudden tenderness and casual violence.

0
The Guardian

The Guardian

press

There's an almost meta-maturity, as if Scorsese is also looking back on his own career, the film leaving us with a haunting reminder not to glamorise violent men and the wreckage they leave behind.

4.0
0
Variety

Variety

press

Martin Scorsese's "The Irishman" is a coldly enthralling, long-form knockout - a majestic Mob epic with ice in its veins.

0
The New York Times

The New York Times

press

A monument is a complicated thing. This one is big and solid - and also surprisingly, surpassingly delicate.

0
Hollywood Reporter

Hollywood Reporter

press

Martin Scorsese, reunites with his most totemic screen actor to tell a sprawling gangland saga that's by turns flinty, amusing and richly nostalgic.

1
Time Out

Time Out

press

After a while, you adjust, or rather, you get tired of probing the slightly-off evidence of your eyes and the headache it produces. There's a lot of fun to distract you.

4.0
0
FilmInk

FilmInk

press

From the opening tracking shot and accompanying song – a la Mean Streets – we are reminded that we’re in vintage Martin Scorsese territory here. But the self-referential elements are sparing, appropriate and – like everything else about this phenomenal movie – pitch-perfect.

0
Sydney Morning Herald

Sydney Morning Herald

press

The Irishman is pure cinema, all three and a half hours of it – and one of Scorsese’s jazziest, most difficult films, borrowing from many sources while riffling freely though often mournfully on the themes and techniques of his previous crime epics Goodfellas and Casino.

4.0
0
Vanity Fair

Vanity Fair

press

I found myself reluctantly taken by the movie, and the way Scorsese uses it to maybe, just a little bit, atone for some of his own past blitheness about violence.

1
Screen Daily

Screen Daily

press

The Irishman is vintage Scorsese, with an often sinuously moving camera, occasional break-the-fourth-wall monologues, wicked wise-guy humour, and explosions of sudden tenderness and casual violence.

0
The Guardian

The Guardian

press

There's an almost meta-maturity, as if Scorsese is also looking back on his own career, the film leaving us with a haunting reminder not to glamorise violent men and the wreckage they leave behind.

4.0
0
Variety

Variety

press

Martin Scorsese's "The Irishman" is a coldly enthralling, long-form knockout - a majestic Mob epic with ice in its veins.

0
The New York Times

The New York Times

press

A monument is a complicated thing. This one is big and solid - and also surprisingly, surpassingly delicate.

0
Hollywood Reporter

Hollywood Reporter

press

Martin Scorsese, reunites with his most totemic screen actor to tell a sprawling gangland saga that's by turns flinty, amusing and richly nostalgic.

1
Time Out

Time Out

press

After a while, you adjust, or rather, you get tired of probing the slightly-off evidence of your eyes and the headache it produces. There's a lot of fun to distract you.

4.0
0

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