
Flicks, Aaron Yap
Scrupulously lean and driven by cool-headed, precision staging that might suggest a Fincher protégé, The Guilty is a corker of a calling card for debuting Danish filmmaker Gustav Möller. Imagine a less histrionic and trashy version of Halle Berry’s 911 thriller The Call, and you might have something akin to this clammy single-location humdinger. It’s an 88-minute how-to in making something as exciting as The Taking of Pelham One Two Three within the limitations of a broom closet.
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