Michael Fassbender stars in this Ridley Scott (Prometheus) thriller about a respected lawyer who's one-time dalliance with an illegal business deal spirals out of control. From the mind of Pulitzer Prize winning writer Cormac McCarthy (No Country for Old Men). Co-stars Penélope Cruz, Javier Bardem, Cameron Diaz and Brad Pitt.
Steeped in the heat of the desert and laden with existential musings, The Counselor is a gripping movie-length lesson on why crime doesn't pay, particularly in Mexico. Following Fassbender's titular character as he dips a toe into the drug trade and proceeds to get dragged way out of his depth, it's uncompromisingly bleak but always captivating.
Full reviewThe script is nearly all dialogue, including several eloquent spoken passages toward the end, but it’s a lousy story, ineptly constructed and rendered far too difficult to follow.
Full reviewAn absorbing thriller that favours vivid characters, profound ideas and Old Testament morals over propulsive plotting and set-pieces. With lots of blood.
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For every camp element like Javier Bardem’s rainbow-vomit outfits or Diaz’s onanistic tryst with a car windshield, there are a dozen poetic-pulp moments that channel McCarthy’s pitiless view of the world to a tee.
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Terrifying, implacable... Mr. Scott’s seriousness isn’t always well served by the scripts he films, but in Mr. McCarthy he has found a partner with convictions about good and evil rather than canned formula.
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Working as a screenwriter for the first time after years of seeing his novels successfully adapted to the screen, McCarthy is stretching his powers of language and mood – and, all too quickly, stretching his slim story and cast of characters way too far.
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McCarthy’s voice comes through strongly enough to excuse the film’s excesses and cast its more generic plot elements in a new light.
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Despite its scaldingly hot cast and formidable writer/director combination, The Counselor is simply not a very likable or gratifying film. In fact, it's a bummer.
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Ridley Scott finally gets to put Cormac McCarthy on the screen. It’s no No Country, but despite its less successful elements is shocking, powerful and — this just in — more gorgeously written than any movie you’ll see this year.
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