
Flicks, Tony Stamp
Noah Baumbach’s latest pairing with Greta Gerwig is a distinctly modern film imbued with the spirit of a screwball comedy. It’s the director’s funniest since his debut Kicking And Screaming, and his most optimistic. There’s still a rich vein of cynicism running through every line of dialogue, but Baumbach’s been stripping away some of his more caustic impulses in recent years, and just as Frances Ha and While We’re Young had a lighter touch than the films that preceded them, this one is practically fizzing.
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