Hitchcock
Alfred Hitchock biopic with the Master of Suspense portrayed by Sir Anthony Hopkins. The story centres on his relationship with wife Alma Reville (Helen Mirren) during the troubled production of Psycho in 1959. The cast of that famed thriller is played by Scarlett Johansson (as star Janet Leigh), Jessica Biel (as Vera Miles) and James D'Arcy (as Anthony Perkins who embodied crazed hotelier Norman Bates).
This is the feature debut from screenwriter and documentarian Sacha Gervasi (Anvil! The Story of Anvil). The screenplay is based on the book Alfred Hitchcock and the Making of Psycho by Stephen Rebello.
Reviews & comments
Seen Them All
This movie is really nothing to write home about. I was expecting a more indepth Hitchcock film, as he 'was and still is' one of the great legends. And that's where this movie is a bit of a let down. When you are expecting a life story and end up watching only a few months in a lifetime, that is forced with airy fairy humour and none of the dark sentiment...
Hitchcocking
Hitchcock Awesome biography, an very well shot, of course, easy to see why he was/is the master of suspense. Storyline is a supurb following of this great film maker and his wife, not too dissimilar to other great men. I havent seen too many films like this that speak volumes about human behaviour, in such a real way. No explosions, guns or anything really,...
A lost opportunity
One of the most important directors of our time probably deserves more than this pretty little piece of fluff. Hopkins doesn't quite make the cut as the brilliant, but strange, man who brought us some of the best films in the last 50 years. What is interesting is that we perhaps never gave his wife Alma ( Helen Mirren) the credit she deserved for helping...
Variety
pressOffers almost zero insight into the peculiar workings of creative genius, or into the rich, taboo-shattering legacy of the film whose making it documents.
Time Out
pressToo-cutesy conceits such as Hitch's imagined conversations with serial killer Ed Gein (Michael Wincott) feebly attempt to ground the story in psychological terra firma, while horribly on-the-nose dialogue flatters those viewers who prefer to keep their sense of cinema history on fan-mag frivolous levels.
Time Magazine
pressIt's a feel-good frolic, which is fine for anyone who prefers their Hitchcock history tidied up, absent the megalomania, the condescending cruelty and tendency to sexual harassment that caused his post-Psycho blonde discovery Tippi Hedren to declare him "a mean, mean man."
The New York Times
pressThe movie has its diversions, including Scarlett Johansson's bodacious Janet Leigh and Michael Stuhlbarg's wheedling Lew Wasserman. It's fluff. But while its dim fantasies about Hitchcock and the association of genius with psychosis can be written off as silly, they also smack of spiteful jealousy.
The Guardian
pressAt heart the story... a marriage, between a fat, ugly genius and the "tiny, birdlike woman" who was invigilator, confidante and touchstone to his talent.
Rolling Stone
pressHopkins and Mirren are acting pros in stellar form. There's no way you want to miss the pleasure of their company in a movie that offers a sparkling and unexpectedly poignant look at how to sustain a career and a marriage.
Roger Ebert
pressHitchcock tells the story not so much as the making of the film, but as the behind-the-scenes relationship of Alma and Hitch. This is a disappointment, since I imagine most movie fans will expect more info about the film's production history.
Hollywood Reporter
pressA work of fantasy and speculation as much as it is history and biography, but as an interpretation of a major talent's inner life and imagination, it's undeniably lively and provocative.
Variety
pressOffers almost zero insight into the peculiar workings of creative genius, or into the rich, taboo-shattering legacy of the film whose making it documents.
Time Out
pressToo-cutesy conceits such as Hitch's imagined conversations with serial killer Ed Gein (Michael Wincott) feebly attempt to ground the story in psychological terra firma, while horribly on-the-nose dialogue flatters those viewers who prefer to keep their sense of cinema history on fan-mag frivolous levels.
Time Magazine
pressIt's a feel-good frolic, which is fine for anyone who prefers their Hitchcock history tidied up, absent the megalomania, the condescending cruelty and tendency to sexual harassment that caused his post-Psycho blonde discovery Tippi Hedren to declare him "a mean, mean man."
The New York Times
pressThe movie has its diversions, including Scarlett Johansson's bodacious Janet Leigh and Michael Stuhlbarg's wheedling Lew Wasserman. It's fluff. But while its dim fantasies about Hitchcock and the association of genius with psychosis can be written off as silly, they also smack of spiteful jealousy.
The Guardian
pressAt heart the story... a marriage, between a fat, ugly genius and the "tiny, birdlike woman" who was invigilator, confidante and touchstone to his talent.
Rolling Stone
pressHopkins and Mirren are acting pros in stellar form. There's no way you want to miss the pleasure of their company in a movie that offers a sparkling and unexpectedly poignant look at how to sustain a career and a marriage.
Roger Ebert
pressHitchcock tells the story not so much as the making of the film, but as the behind-the-scenes relationship of Alma and Hitch. This is a disappointment, since I imagine most movie fans will expect more info about the film's production history.
Hollywood Reporter
pressA work of fantasy and speculation as much as it is history and biography, but as an interpretation of a major talent's inner life and imagination, it's undeniably lively and provocative.
Seen Them All
This movie is really nothing to write home about. I was expecting a more indepth Hitchcock film, as he 'was and still is' one of the great legends. And that's where this movie is a bit of a let down. When you are expecting a life story and end up watching only a few months in a lifetime, that is forced with airy fairy humour and none of the dark...
Hitchcocking
Hitchcock Awesome biography, an very well shot, of course, easy to see why he was/is the master of suspense. Storyline is a supurb following of this great film maker and his wife, not too dissimilar to other great men. I havent seen too many films like this that speak volumes about human behaviour, in such a real way. No explosions, guns or anything...
A lost opportunity
One of the most important directors of our time probably deserves more than this pretty little piece of fluff. Hopkins doesn't quite make the cut as the brilliant, but strange, man who brought us some of the best films in the last 50 years. What is interesting is that we perhaps never gave his wife Alma ( Helen Mirren) the credit she deserved for helping...
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