
Flicks, Liam Maguren
Whether it’s an Alien sort-of prequel or Moses the Movie, you can’t deny Ridley Scott’s ability to make a film look gosh-darn pretty, nor his third dimensional eye that justifies the price of a 3D ticket. Exodus continually stimulates on a visual level throughout its two-and-a-half hour running time, with spectacular sights of heavily populated civilisations, storms of death consuming the IMAX screen, and a single horse freaking out underneath a ten-storey wall of collapsing water.
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