Coco avant Chanel
The brilliant Audrey Tautou plays the headstrong, self-sufficient designer who, in pre-First World War France, was one of the first women to assert herself in a man's world.
Born poor in 1883 in rural France, Gabrielle ‘Coco’ Chanel overcame her lack of breeding via a keen eye, forthright manner and revolutionary approach to women's tailoring that, incredibly, transformed a gruff peasant girl into the embodiment of chic. The iconic innovator lived to be 87 but the film concentrates on the stretch of time specified in the title ('Coco Before Chanel'), as Chanel scrambles to get by, absorbs visual inspiration from her surroundings and unabashedly uses men to get closer to Paris. [Source: NZ International Film Festival]
- Director:
- Anne Fontaine ('The Girl from Monaco')
- Writer:
- Anne FontaineCamille FontaineChristopher HamptonJacques Fieschi
- Cast:
- Audrey TautouBenoît PoelvoordeAlessandro NivolaMarie GillainEmmanuelle Devo
Reviews & comments
There's a delicacy that you can almost taste in this movie
There's a delicacy that you can almost taste in this movie... a whimiscal air probably created by nostaglia. Tatou is exquisite (as usual) believable as Coco Chanel. Very good child-adult matchup. I didn't feel I was watching a great movie, but a very accurate reference to a whole lot of past's images.
Far too many "Befores" and nowhere enough "Afters".
I couldn't wait to see this movie and while I would agree with some of James Croot's assessment, "closer to Pretty Woman" this movie is DEFINITELY not, "Diane Keating's wardrobe" is immensely more interesting and "the piano score" is really nothing that different to most other piano scores of this genre but this time doing little to evoke my normally...
Urban Cinefile
pressFor all its niggling faults, Coco Avant Chanel, is an engaging film which provides some insight into the birth of a business that became a global empire - all because of one determined young woman.
Total Film
pressPlaying Coco’s orphaned beginnings like a violin, writer/director Anne Fontaine shows a sure hand when it comes to emotional button-pushing. But she dithers over how to end and her pedestrian shooting style (offset by stark production design) suits her spiky subject about as well as the bloom-laden hats she reviled.
New Zealand Herald
pressMuch like Chanel's signature designs, the film is precise, tailored and stylish - but conservative. Things are hinted at but rarely spelt out. The film seeks to explain how Chanel became the mogul she did and reveals various, subtle threads that shaped her life. But the whole thing feels like it is laying the foundations for the film you really want to see - the one about a glamorous designer conquering the world.
Lumiere Reader
pressWhile handsomely crafted and enjoyable enough, Coco avant Chanel ultimately fails to live up to the potential of its colourful subject. Admittedly, I’m probably not the target market, and if the ‘sold out’ sign hanging from the box office at my screening is anything to go by, this looks set to become the crowd-pleasing hit of the festival.
Empire Magazine
pressMore a snapshot of a moment than conventional biography, and while less complex than it might want to be, still a quietly thoughtful look at one of the 20th century’s most influential characters.
Urban Cinefile
pressFor all its niggling faults, Coco Avant Chanel, is an engaging film which provides some insight into the birth of a business that became a global empire - all because of one determined young woman.
Total Film
pressPlaying Coco’s orphaned beginnings like a violin, writer/director Anne Fontaine shows a sure hand when it comes to emotional button-pushing. But she dithers over how to end and her pedestrian shooting style (offset by stark production design) suits her spiky subject about as well as the bloom-laden hats she reviled.
New Zealand Herald
pressMuch like Chanel's signature designs, the film is precise, tailored and stylish - but conservative. Things are hinted at but rarely spelt out. The film seeks to explain how Chanel became the mogul she did and reveals various, subtle threads that shaped her life. But the whole thing feels like it is laying the foundations for the film you really want to see - the one about a glamorous designer conquering the world.
Lumiere Reader
pressWhile handsomely crafted and enjoyable enough, Coco avant Chanel ultimately fails to live up to the potential of its colourful subject. Admittedly, I’m probably not the target market, and if the ‘sold out’ sign hanging from the box office at my screening is anything to go by, this looks set to become the crowd-pleasing hit of the festival.
Empire Magazine
pressMore a snapshot of a moment than conventional biography, and while less complex than it might want to be, still a quietly thoughtful look at one of the 20th century’s most influential characters.
There's a delicacy that you can almost taste in this movie
There's a delicacy that you can almost taste in this movie... a whimiscal air probably created by nostaglia. Tatou is exquisite (as usual) believable as Coco Chanel. Very good child-adult matchup. I didn't feel I was watching a great movie, but a very accurate reference to a whole lot of past's images.
Far too many "Befores" and nowhere enough "Afters".
I couldn't wait to see this movie and while I would agree with some of James Croot's assessment, "closer to Pretty Woman" this movie is DEFINITELY not, "Diane Keating's wardrobe" is immensely more interesting and "the piano score" is really nothing that different to most other piano scores of this genre but this time doing little to evoke my normally...
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