20th Century Women

20th Century Women


Oscar nominee Annette Bening (The Kids Are All Right), Elle Fanning (The Neon Demon) and Greta Gerwig (Mistress America) lead this comedic, '70s-set, multi-story film about love, family, freedom, and the (sometimes) futile search for meaning. From the writer-director of 2010's Beginners.... More

Set in Santa Barbara, the film follows Dorothea Fields (Bening), a determined single mother in her mid-50s who is raising her adolescent son, Jamie (newcomer Lucas Jade Zumann) at a moment brimming with cultural change and rebellion. Dorothea enlists the help of two younger women in Jamie’s upbringing – via Abbie (Gerwig), a free-spirited punk artist living as a boarder in the Fields’ home, and Julie (Fanning), a savvy and provocative teenage neighbour.Hide

On Demand, DVD & Blu-Ray

Available from 6 providers

The Peoples' Reviews

Average ratings from 2 ratings, 1 reviews
Reviewed & Rated by
Your rating & review
Rate / Review this movie

BY cinemusefilm superstar

The coming-of-age genre looks at turning points like sexual awakening, maturing identity, and rites of adulthood. Often gender stereotyped, they tend to use a retro-nostalgic lens because we feel safer looking back. The film 20th Century Women (2016) follows these genre cues but in its own way breaks out of the usual gender boxes with a narrative that pivots on a few words delivered innocently: “Don’t you need a man to raise a man?”.

It is 1979 in free-spirited California where 55... More year-old divorcee Dorothea (Annette Bening) feels inadequate in raising her loner 15 year-old son Jamie (Lucas Zumann). She enlists the support of boarder Abbie (Greta Gerwig) and Jamie’s best friend Julie (Elle Fanning) by asking them to talk to him about the kind of things a teenage boy cannot talk about with a mother. The three women are intelligent, open communicators and Jamie is immersed in a feminised world-view, with a post-hippy handyman friend providing a token male presence.

What follows is more like a rich montage of charming moments than significant narrative developments. Jamie is taken to cool music places, has long private chats with Abbie and Julie, is given feminist literature to soften his emerging masculinity, and is sensitised to the sexual ethics that will shape his future relationships. Among other things, he learns about loving the whole woman not just her sexual parts; the physiology of female orgasm; and the value of platonic friendship. As a period piece, it richly evokes the fashion, music, and customs of a time that many audiences will view through rose-coloured glass: a simpler, safer, and more truthful time.

Greta Gerwig and Elle Fanning are cast perfectly as embodiments of the growing girl-power of the era. But the acting dynamics are driven entirely by Annette Bening and Lucas Zumann. While the story may be about Jamie’s entry to manhood, it is told through Dorothea’s eyes. Benning convincingly portrays the full emotional gamut of the single mother of a teenage boy: overwhelming love; confusion; anxiety; and struggling for, while steadily losing, parental authority. Zumann is wonderful in his role, balancing premature worldly wisdom, innocence and youthful passion for life. The film’s plot is as laidback as the era it depicts, but the characterisation and performances have depth and sincerity.

This film challenges the popular wisdom that a boy needs a father to make him a man. Jamie’s emerging masculinity is femo-centric, emotionally sensitive, open and responsive. In one sense, this coming-of-age story is as stereotyped as any other because of the way it portrays tension between gender differences. But it inverts the usual ‘boys are active agents/girls are passive victims’ binary. In a world where traditional definitions of family are under constant debate and renewal, this film adds another viewpoint on how to teach young males to respect females. While it is an entertaining and engaging comedy-drama, it also asks serious questions about how is it that in the 21st century we still raise men who commit violence against women.Hide

Showing 1 of 1 reviews. See all reviews

The Press Reviews

  • Love and loss go hand in hand in "20th Century Women," a funny, emotionally piercing story about a teenager and the women who raise him. Full Review

  • 20th Century Women is irreducible ... although certain adjectives and adverbs do leap to mind: generous, reflective, absolutely delightful. Full Review

  • When 20th Century Women concerns itself with the utterly human question of personal satisfaction, it's huggable: the kind of movie you wish more directors had the courage to grab for. Full Review

  • "20th Century Women" is an endless chain of anecdotes, and though many individual moments are winning, the movie as a whole is rudderless. It never achieves an emotional power surge. Full Review

  • Mills's world is certainly not devoid of pain, but it's leached of bitterness, leached of conflict, leached of aggression, leached of hostility; the pain and the trauma are leached of consequence. Full Review

  • A simply glorious Annette Bening leads a stellar cast in Mike Mills' semiautobiographical story about a bohemian women raising a teen in the age of 1970's feminism and punk rock. Full Review

  • It's a nice film with some great moments but Mills' touch is too tentative to make all that talk buzz and hum as resonantly as it should. Full Review

The Talk
93 %

Want to see it

What say you?