Katie Parker

This isn’t a mere rehashing of what we already know; it’s something more thoughtful and fascinating.

It’s part gritty immigration drama, part hackneyed haunted house horror.

Go into The Voyeurs blind—this is something that needs to be seen to be believed.

New Netflix show is satisfyingly bingeable and crazily convoluted.

“Not everything has to be a blockbuster sensation or a searing political critique.”

For all its flaws, new Netflix horror is still enjoyably irreverent and gleefully gory.

“In an incredibly competitive TV landscape, it is a bold and audacious entry.”

Remember the sticky-uppy nail from the first movie? There are more closeups of bare feet than a Tarantino film.

Love it or loathe it, the rape-revenge genre is nevertheless one of cinema’s most enduring.

Anya Taylor-Joy is the crown jewel in this study of addiction, loneliness and connection.

Zoë Kravitz is a delight – an equally witty, more chill foil to Fleabag.

Untethered from norms like “decency”, “taste” and “good script writing”.

Still, it’s a fun ride.

The film contains something many action films sorely lack: fun.

“Easily the best thing about Someone Great is its cast.”

A Hollywood re-make seems like a rather less likely prospect.

You won’t find anything tricksy, stylised or gritty going on here.

The film itself, however, is a bit of a disappointment.

Gut-wrenchingly familiar and relatable to anyone who has ever been sad or awkward or a teenager.

A rare period drama that goes beyond merely re-hashing a sensationalised past.

“Whether you were wanting her or not, Lisbeth Salander is back.”