Fargo: Season 4

Fargo: Season 4

Fargo: Season 4

Chris Rock, Ben Whishaw and Jason Schwartzman lead the new season of the Coen Brothers-honouring anthology series following a criminal syndicate war in 1950 Kansas City.

2020USA
CrimeDrama

Streaming (1 Provider)

Reviews & comments

Boring

I cannot get into this after watching Series 1 and 2 and original movie this does not compare, they have lost the whole theme. Shame of love this whole anthonogy

3.0
Variety

Variety

press

Outsize characterizations are not new for “Fargo,” but a balance has been lost here, with many characters standing in for the grandest sorts of evil and too few giving us what the series at its best possesses — soulfulness. Rock gets those notes, though, and plays them well.

RogerEbert.com

RogerEbert.com

press

This latest “Fargo” installment suffers from too much muchness. There are isolated scenes of excellent melodrama, some thoughtfully pointed questions about the decay of the American dream, and a few standout performances...

TV Guide

TV Guide

press

At this point, even after three years between seasons, the Fargo model has gotten a little stale. Season 4 is feeling a bit like diminishing returns. Which is not to say the show is at all bad; it's still fun to watch and exceptionally well-made. It just doesn't feel as vital as it once did.

3.0
A.V. Club

A.V. Club

press

Fargo occasionally strains under the weight of what it’s attempting to accomplish...

Hollywood Reporter

Hollywood Reporter

press

It's a period drama featuring two dozen (or more) main and guest characters. Yet even with those moments in which Fargo loses track of who was supposed to be the story's heart or which narrative threads have the most urgency, when the show works — when its vision is realized entirely — very little on TV can compete.

Rolling Stone

Rolling Stone

press

Like America itself, Fargo is a dizzying, delightful swirl of influences. And this move away from the series’ familiar Minnesota home turf is mostly a rollicking success. After all, there’s plenty of snow — and blood — to be found in a Kansas City winter, too.

4.0
Collider

Collider

press

Hawley is a creator who loves images, ideas, and words, and not a single episode watched for review (FX provided the first nine) lacks for an unforgettable camera shot, a haunting character choice, or a line of dialogue so weird and wonderful it could only be Fargo.

IndieWire

IndieWire

press

Season 4 may not go down as the best year of “Fargo.” The structure lurches a bit, episode to episode, and the cast can’t collectively hit the highs of prior seasons’ players. (In part because they’re not asked to, given the dour tone.) But Hawley’s choice to evolve beyond his established structure is as necessary as it is invigorating.

Variety

Variety

press

Outsize characterizations are not new for “Fargo,” but a balance has been lost here, with many characters standing in for the grandest sorts of evil and too few giving us what the series at its best possesses — soulfulness. Rock gets those notes, though, and plays them well.

RogerEbert.com

RogerEbert.com

press

This latest “Fargo” installment suffers from too much muchness. There are isolated scenes of excellent melodrama, some thoughtfully pointed questions about the decay of the American dream, and a few standout performances...

TV Guide

TV Guide

press

At this point, even after three years between seasons, the Fargo model has gotten a little stale. Season 4 is feeling a bit like diminishing returns. Which is not to say the show is at all bad; it's still fun to watch and exceptionally well-made. It just doesn't feel as vital as it once did.

3.0
A.V. Club

A.V. Club

press

Fargo occasionally strains under the weight of what it’s attempting to accomplish...

Hollywood Reporter

Hollywood Reporter

press

It's a period drama featuring two dozen (or more) main and guest characters. Yet even with those moments in which Fargo loses track of who was supposed to be the story's heart or which narrative threads have the most urgency, when the show works — when its vision is realized entirely — very little on TV can compete.

Rolling Stone

Rolling Stone

press

Like America itself, Fargo is a dizzying, delightful swirl of influences. And this move away from the series’ familiar Minnesota home turf is mostly a rollicking success. After all, there’s plenty of snow — and blood — to be found in a Kansas City winter, too.

4.0
Collider

Collider

press

Hawley is a creator who loves images, ideas, and words, and not a single episode watched for review (FX provided the first nine) lacks for an unforgettable camera shot, a haunting character choice, or a line of dialogue so weird and wonderful it could only be Fargo.

IndieWire

IndieWire

press

Season 4 may not go down as the best year of “Fargo.” The structure lurches a bit, episode to episode, and the cast can’t collectively hit the highs of prior seasons’ players. (In part because they’re not asked to, given the dour tone.) But Hawley’s choice to evolve beyond his established structure is as necessary as it is invigorating.

Boring

I cannot get into this after watching Series 1 and 2 and original movie this does not compare, they have lost the whole theme. Shame of love this whole anthonogy

3.0