
Flicks, Aaron Yap
In retrospect, the brief spark of ingenuity that the Spierig Brothers exhibited in 2014’s lovably loopy Predestination probably had more to do with the conceptual ballsiness of Robert A. Heinlein’s source text than anything. With a recent lacklustre attempt at franchise revival in Jigsaw, and now this goofy ghost thriller, it’s become even clearer that they’re the undistinguished genre travellers that they’ve always been: clearly big, avid fans of sci-fi and horror, with little of consummate craft nor consistent vision of their heroes.
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