Claire Foy (Netflix's The Crown) is involuntarily committed to a mental institution in this Steven Soderbergh horror shot entirely on a cellphone. Once committed, she is confronted by her greatest fear - but is it real or is it a product of her delusion?
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BY Daniel Rutledge Flicks Writer
A stripped back and thoroughly interesting indie horror, Steven Soderbergh's latest is enjoyable despite falling apart. It's all shot on iPhones using harsh, unflattering lighting and in 1.56 aspect ratio - just some of the odd elements that make this one of the strangest films I've seen in a while. The terrifying glimpses at mental illness and even more terrifying portrayal of a US mental health facility are brilliant, but the third act drops the ball.... More
Claire Foy drives Unsane in the lead role, helped by some intriguing support characters. Jonathan Bernstein and James Greer's script maintains a nicely unnerving is-she-sane-or-not mystery throughout, but watching the trailer or reading other reviews will probably spoil some of that fun. It's not very original, but Soderbergh brings a freshness to it and throws so much weirdness upon it that it certainly feels different.
The corrupt mental health institution Unsane is set in and the awful, realistic hopelessness it inspires is chillingly effective. I really felt trapped in there with the patients, in a similar way as was achieved in One Flew Over the Cuckoo's Nest. But the further through the story it gets, the sillier it becomes and the more difficult it is to take it seriously.
The final segment of the film is where it all starts seeming a bit shit. What's real and what's not becomes clear, plot holes emerge as much of the intrigue and fun subsides. The very end gets so schlocky in a '70s B-movie way I kind of came back around to being endeared by it, but Unsane is far from great, despite some bearing some greatness.Hide