The Party
British black comedy about a fancy dinner party that doesn't go according to plan. Stars Patricia Clarkson, Cillian Murphy and Timothy Spall.
"Career politician Janet (Kristen Scott Thomas) is celebrating her promotion. Well, that's the plan, anyway. Things go hilariously downhill as soon as Janet's uber-cynical bestie, April (Clarkson), and other perfectly dreadful guests arrive. Naturally everyone has something to hide and everyone's going to receive their just desserts long before the actual dessert arrives." (Sydney Film Festival)
- Director:
- Sally Potter ('Orlando', 'The Man Who Cried', 'Ginger & Rosa')
- Writer:
- Sally Potter
- Cast:
- Timothy SpallKristin Scott ThomasPatricia ClarksonBruno GanzCherry JonesEmily MortimerCillian Murphy
Reviews & comments
Flicks, Luke Buckmaster
flicksWriter/director Sally Potter recently addressed the question of why she shot her new film, The Party, in black and white. According to Potter, monochrome is “much more colourful from an emotional point of view, because people can project their imaginary sense of realism into what is a slightly obstructed image."
Flicks, Liam Maguren
flicksEven though this one-room British film shot in black and white assembles the talents of Kristin Scott Thomas, Timothy Spall, Patricia Clarkson, Emily Mortimer, Cherry Jones, Bruno Ganz and Cillian Murphy, this isn’t some Oscar bait based-on-a-play dissection on the follies of the human condition. Writer-director Sally Potter’s The Party is an up-the-guts intellectual comedy for people sick of intellectuals, cutting with its script and performances for 70 minutes before booting you out the door. It’s not memorable, but it’s short-lasting fun.
Variety
pressA deliciously heightened, caviar-black comedy that sets up its brittle, bourgeois characters like bowling pins and gleefully knocks them down in 71 minutes flat.
Total Film
pressEnjoyably acted by a fine ensemble cast, it crisply skewers the hypocrisies of its left-liberal, middle-class characters.
Time Out
pressIt's openly theatrical, but if it feels like a film of a play, it's a play you really should see.
The Times
pressThere are scenes where Scott Thomas plays several competing emotions simultaneously, often through grimaces alone, but with masterful aplomb. What do we want? More Scott Thomas comedies! Now!
The Guardian
pressUnassuming and old-fashioned funny entertainment isn't exactly what we associate with this film-maker, but that's what she has very satisfyingly served up here.
Little White Lies
pressA claret catastrophe of upper middle class navel gazing and hackneyed barbs.
Hollywood Reporter
pressOver 71 crisp minutes of fast-paced verbal combat, Potter tests the age-old theory that it's all fun and games until somebody gets knocked unconscious.
Empire Magazine
pressPatricia Clarkson steals the show, but everyone in Potter's gifted cast gets their moment to shine in a sharp-edged, claustrophobic parlour piece that puts the boot into middle-class mores.
Flicks, Luke Buckmaster
flicksWriter/director Sally Potter recently addressed the question of why she shot her new film, The Party, in black and white. According to Potter, monochrome is “much more colourful from an emotional point of view, because people can project their imaginary sense of realism into what is a slightly obstructed image."
Flicks, Liam Maguren
flicksEven though this one-room British film shot in black and white assembles the talents of Kristin Scott Thomas, Timothy Spall, Patricia Clarkson, Emily Mortimer, Cherry Jones, Bruno Ganz and Cillian Murphy, this isn’t some Oscar bait based-on-a-play dissection on the follies of the human condition. Writer-director Sally Potter’s The Party is an up-the-guts intellectual comedy for people sick of intellectuals, cutting with its script and performances for 70 minutes before booting you out the door. It’s not memorable, but it’s short-lasting fun.
Variety
pressA deliciously heightened, caviar-black comedy that sets up its brittle, bourgeois characters like bowling pins and gleefully knocks them down in 71 minutes flat.
Total Film
pressEnjoyably acted by a fine ensemble cast, it crisply skewers the hypocrisies of its left-liberal, middle-class characters.
Time Out
pressIt's openly theatrical, but if it feels like a film of a play, it's a play you really should see.
The Times
pressThere are scenes where Scott Thomas plays several competing emotions simultaneously, often through grimaces alone, but with masterful aplomb. What do we want? More Scott Thomas comedies! Now!
The Guardian
pressUnassuming and old-fashioned funny entertainment isn't exactly what we associate with this film-maker, but that's what she has very satisfyingly served up here.
Little White Lies
pressA claret catastrophe of upper middle class navel gazing and hackneyed barbs.
Hollywood Reporter
pressOver 71 crisp minutes of fast-paced verbal combat, Potter tests the age-old theory that it's all fun and games until somebody gets knocked unconscious.
Empire Magazine
pressPatricia Clarkson steals the show, but everyone in Potter's gifted cast gets their moment to shine in a sharp-edged, claustrophobic parlour piece that puts the boot into middle-class mores.
There aren't any user reviews for this movie yet.
Share