
Flicks, Adam Fresco
If you’ve not read Donna Tartt’s Pulitzer-winning coming-of-age tale, then you’ll likely enjoy this big-screen version more than those who have. It’s a pretty faithful adaptation, but despite the 150-minute run-time, it’s hard to squeeze in, let alone justify, every narrative twist, turn and somersault through time. Not that Brooklyn director John Crowley, and Tinker Tailor Soldier Spy screenwriter, Peter Straughton, deliver a bad film, it just lacks the intimate immediacy and detailed depth of the source material.
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