Flicks, Liam Maguren
Sadly, the concept’s higher than the budget, resulting in a few empty-looking sets and painful greenscreen moments that take away from some otherwise tense sequences in different centuries. It’s mitigated a bit by the film’s trippy depiction of travelling time as well as some inspired transitions that use match cuts and images of the cosmos to convey the sense that time’s not linear. Overall, however, the production quality can’t quite match the film’s ambitions.
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