Shall We Kiss? (Un baiser s'il vous plaît)

"Following the utterly charming “Change of Address,” Emmanuel Mouret continues his winning streak with “Shall We Kiss?” another Woody Allen-meets-Eric Rohmer romantic comedy in which the young writer-director again plays the doofus lead."

"It's a beguiling story about relationships that only the French could pull off and the ending comes as unexpectedly as it is satisfying."

"Concocted by Mr. Mouret (“Change of Address”), who likes to appear in his own films (he suggests Woody Allen as a lost puppy), “Shall We Kiss?” could have come only from France, a country whose movies would have you believe that most people over 16 are well dressed, cultured and sophisticated without being jaded. These are the same young people who have flocked through Eric Rohmer’s movies since the 1970s. But “Shall We Kiss?” doesn’t have the underlying moral gravity of a Rohmer film."

"The characters in "Shall We Kiss?" are attractive, wear impeccable clothes, move easily through minimalist rooms, hotel lobbies, social gatherings, restaurants and their lives. The soundtrack is by Schubert and Tchaikovsky. There are discreet paintings on the walls and drawings of composers. They are French, articulate, composed and dumber than a box of rocks."

"A witty, dry and at times frustrating attempt to justify adultery."