Martin Scorsese captures both the troubled spirit of America and the music of Bob Dylan in 1975 in this part documentary, part concert film.
Bob Dylan has been living in the post-truth era for longer than the rest of us. The troubadour’s, shall we say, poetic attitude towards representations of himself and his art has been a recurring theme in his career since the 1960s, when legendarily combative press conferences between the prankish singer-songwriter (sometimes brandishing props) and clarity-seeking media played out like delicious farces.
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