
The New York Times
The action here is as black-and-white and as pleasantly, if naively, diverting as that in any western even though it was all shot in vivid colors.
Full reviewBruce Lee's 1972 martial arts classic about a husband-to-be who returns to China for his wedding only to learn his beloved teacher has been murdered. With constant racial abuse thrown by a rival Japanese dojo, the former student investigates them further with vengeance on his mind.
The action here is as black-and-white and as pleasantly, if naively, diverting as that in any western even though it was all shot in vivid colors.
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