Sicario director Denis Villeneuve casts Amy Adams as an expert linguist enlisted by the US government to investigate and communicate with an alien spacecraft, one of a dozen that have landed on Earth.... More
Aliens have landed, they aren't humanoid, and they don't speak English - or any of our languages. As countries around the world both cooperate with one another and race against each other for a breakthrough, Louise Banks (Adams), physicist Ian Donnelly (Jeremy Renner) and their elite American team must race against time to find answers. Hide
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BY Matt Glasby Flicks Writer
One day Dennis Villeneuve will make a masterpiece. Incendies (2010) came close as dammit. Prisoners (2013) started strong but twisted when it should have stuck. Enemy (2013) was far too esoteric (read pretentious). And Sicario (2015) was superbly crafted but just shy of world-shaking.... More
For its first 30 minutes this cerebral sci-fi, adapted by Eric (Lights Out) Heisserer from Ted Chiang’s Story Of Your Life, appears to be the answer. In fact, the opening montage, which delicately frames our hero – linguist Louise Banks (Amy Adams) – in domestic tragedy, might be the most moving since Up. Recalling Terence Malick in their painterly intensity, they’re so powerful they cast a sad shadow over what follows. As in Gravity, you can’t help feeling Banks would positively welcome an apocalypse.
But that’s not what happens. One day, announced by the anxious beep of her students’ cellphones, 12 alien vessels land at strategic points around the globe, and Forest Whitaker’s no-nonsense Colonel Weber asks Banks, along with scientist Ian Donnelly (Jeremy Renner), to establish if these visitors really do come in peace. At this point the anticipation is tangible – thrilling, even – and there are moments of tactile tenderness, such as when Banks traces her finger along the bottom of the spacecraft, or our first glimpse of the aliens (recalling Gareth Edwards’ Monsters) appearing through fog. It’s beautiful, but the tension between what’s happening on the world stage, and within the characters, is poorly maintained in the stumbling second act.
It’s a pity, because throughout Johan Johannsson’s sonorous score is lovely; the performers spot on; and the philosophical concerns deep enough to confuse Christopher Nolan. Indeed, until Villeneuve makes another masterpiece – the forthcoming Blade Runner 2049 perhaps? – this will more than do…Hide
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BY sandrab nobody
This film is fantastic on so many levels - the marketing makes it looks kinda hollywood-surface-sci-fi-earth-invasion however it is so much more. Emotionally involving it takes us to some basic to sentient existence (in here and out there) ideas and how beings of one type communicate their stuff with another type when you have different paradigms of apprehension. Ideas and themes all very relevant and worthy of exploration in our 'today'.
BY KennethP91 superstar
Aliens have landed all over Earth and world renowned linguist Louise Banks (Amy Adams) is called in to communicate with the aliens. But when paranoia settles in with the majority of the world’s population and leaders, Louise races against time to translate the alien’s language and discover their purpose on Earth before it’s too late.
Seeing as this movie is directed by Denis Villeneuve the... More cinematography easily stands out. The way this movie was filmed is incredible as the slow and methodical pace enthralls you from the get go. There are scenes which are breathtakingly tense and they are effective in building up suspense.
Amy Adams is also incredible in her role, from the way she is first introduced to the final moments of the movie, she was consistently great. The movie’s story telling complimented her acting well as the procedural start of the film puts us in her shoes and makes us relate to her early on. The supporting casts are also great, both Forest Whitaker and Jeremy Renner did a great job portraying their roles.
The pacing of the movie is quite slow, especially around the first act and this can take you out of the movie at least for the first fifteen minutes.
Overall Arrival is an incredibly well made film, from the cinematography to the acting to the story. The execution is perfect, the slow methodical pacing grabs you from the start and it fuels your curiosity to keep on watching. The movie is informative in certain ways as it’s expositions are interesting. To it’s core the movie is a study on human nature but it is structured to be not so overwhelming.
If you’re looking for a big budget sci-fi film with explosions this won’t be for you. However if you don’t mind a slow movie and one that makes you think, Arrival is highly recommended.Hide
BY cinemusefilm superstar
The... More central storyline is simple: twelve huge elliptical extra-terrestial objects arrive on earth and hover just above ground level in twelve locations across the globe. While each nation carries out its own threat assessments, the Americans opt to explore how to communicate with the visitors rather than default to military options. Our heroine is accomplished linguist Louise Banks (Amy Adams) who leads a team assigned to enter the spacecraft and assess if humans can communicate with the visitors. Paired with physicist Ian Donnelly (Jeremy Renner) they represent the soft and hard faces of science. When contact is made with the tentacled aliens via a glass-like wall it becomes evident that dialogue is possible using a form of circular symbols.
Global panic erupts when linguistic trial and error decodes a symbol for “weapon” and China prepares to attack even though Louise believes the translation is ambiguous. In the midst of the crisis, she is haunted by visions of her daughter who died of a rare disease. The visions gradually transition from memories to predictions. Unlike human linear memory the aliens have circular memory that connects the past, present and future. Her flashbacks and flash-forwards are the key to understanding the film but they add a layer of narrative confusion in the process.
The film’s unsurprising message is that when alien contact occurs the future of the planet will depend on global cooperation. This theme is packaged inside a story that is told with digital effects that are modest by today’s standards. Some will feel let down by the unimaginative spindly alien forms that are kept at a hazy distance within the concrete bunker-like spaceship setting. The back-story of Louise’s personal life is a distracting melodrama and the concept of memory circularity is a weak idea on which to base the plot. That the Hollywood dream-factory makes America the global saviour again is not new. Unlike other visually ground-breaking Sci-Fi’s this one is more about ideas than spectacle. But it is a thought-provoking film about the technology of language and it works well at this level.Hide
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