Lights Out helmer David F. Sandberg tackles the fourth flick in the supernatural horror The Conjuring franchise.
Several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the dollmaker's possessed creation, Annabelle.
One of last year’s best horror surprises was Mike Flanagan’s Ouija: Origin of Evil, a film that looked and sounded like another franchise cash-in, but was in reality much, much better than that (and definitely better than the first Ouija). Similarly, Annabelle: Creation doesn’t inspire highest of hopes, being an origin story for the titular doll from the lousy but hugely successful 2014 spin-off of James Wan’s The Conjuring.
Full reviewThis effective yet empty-headed horror movie goes to show how eager audiences are to be scared, and how even an unsightly doll can do the trick when the spirit is willing.
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The fourth film in the Conjuring Universe, Annabelle: Creation is well performed, but the rhythm of the scares feels slightly off. Characters scream when they should be quiet and whimper when they should be hollering their heads off.
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As a compendium of scenes that very nearly add up to a horror movie, Annabelle: Creation is pretty much a masterclass cut into five minute episodes.
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Sandberg demonstrates a deft affinity for the elaboration of horror conventions, as well as the expansion of the Conjuring universe.
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Hardcore horror buffs may laugh and scoff at the mechanics of some of the scares; the rest may never be able to walk past the window of a toy shop without crossing themselves.
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With Annabelle: Creation he manages to successfully do his own thing while still respecting a past installment - and considering how I felt about the past installment, that's extremely impressive.
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