81%130 reviews
Around two thirds of the way through 22 July a character lists all the far-right extremist groups operating in the world today, including the American neo-nazi forum Stormfront. It’s one of several moments where director Paul Greengrass points out that the resurgence of fascism isn’t restricted to Europe, and it certainly isn’t going away.
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It's intelligently stern, storm-gray filmmaking, as we've come to expect from Greengrass; if it feels a bit mechanical as well, perhaps this is a near-impossible story to film with both tact and soul.
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'22 July' offers few surprises, and even fewer opportunities for Paul Greengrass to flex his filmmaking muscles.
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Small, vicious moments...define a film that's admirably lacking in histrionics. Its restraint makes the courtroom climax hit even harder.
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It's both a pulse-pounding depiction of the deadly attacks that shook Norway in 2011 and a sober investigation of the aftermath, evolving into a gripping courtroom drama and a tremendously emotional personal account of one family's struggle to move on.
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