Stephen A Russell

Succession director Mark Mylod casts an impeccably sneering Ralph Fiennes in full Phantom Thread egomaniac mode.

We know the environmental catastrophe coming – Joost Bakker leads by example with a zero-waste home solution.

James Gray’s all-star ensemble feels as if it’s stumbling through the first table read.

The Scottish talent has to be one of the most skilled swearers working today, and can sometimes be downright chilling.

It’s been a mighty year for fantasy fans, but which big franchise’s season one finale won them over?

You’ll kick yourself screaming if you miss this spooky onslaught of fresh, must-see monsters.

Billy Eichner’s queer rom-com is wildly funny and unapologetically sex-positive.

All the queer academics, filmmakers, and drag queens interviewed in this fabulous four-parter find sanctuary in scary.

The realms of men and Harfoot are surprisingly filled with Aussie talent, who’ve each formed close family bonds on set.

The opening episodes of The Rings of Power have just the right amount of swashbuckling and plotting.

How do you take on a task as big as adapting Lord of the Rings, for the most expensive TV series ever made?

The master of unsettlingly body horror returns, with a future in which organ removal is performance art.

“Oh my god, I actually make movies now – I’m just so worried I’m gonna wake up.”

Breathtaking sophomore feature, opens MIFF with a luminous love letter to the city’s surf and suburbs.

Opening this year’s Sydney Film Festival, it fields an exciting array of filmmakers with bold, diverse visions

From bedtime story to stage to page to screen, Purcell has yearned to tell her Western tale “in a blackfella way”.

The ABC’s 70s-set series was inspired by “this idea that if you sell paradise, can you buy it back again?”