Get Out

Get Out


Just because you're invited, doesn't mean you're welcome.

Racially charged horror from Blumhouse Productions (Paranormal Activity, Ouija) starring Daniel Kaluuya (Sicario). Written and directed by Jordan Peele.... More

Now that Chris (Kaluuya) and his girlfriend, Rose (Allison Williams), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy (Catherine Keener) and Dean (Bradley Whitford). At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined.Hide

Flicks Review

It’s hard to remember the last time we had a horror film that burns with such lacerating topicality as Jordan Peele’s Get Out. Employing genre conventions in service of skewering and exposing the insidious nature of racism, it suggests the iconic, politically charged, zeitgeist-defining wallop of your Romeros and Carpenters of yesteryear.... More

It’s ostensibly The Wicker Man remodeled for the #BlackLivesMatter era — smart, accessible, pin-sharp, and also a more authentic, disturbing genre-tweaking pic about slavery and the antebellum South than Django Unchained. This rings resoundingly true in the sense that Peele’s shrewd, mordantly funny — and often discomforting — portrait of preening white privilege and entitlement reveals how Tarantino’s well-meaning, fist-bumping solidarity with black culture is not dissimilar to the wealthy elites here who fawn profusely over all aspects of otherwise-everyman protagonist Daniel Kaluuya’s blackness.

The set-up — a black boyfriend meeting his white girlfriend’s parents for the first time — is as switched-on as any of Peele’s sharpest sketch work with former comic collaborator Keegan-Michael Key. It’s perfectly oiled for optimal button-pushing squirm, which in this case, manifests itself in an outlandish plot involving kidnapping, hypnosis and pod-people creepiness.

Peele is a skillful puppet-master, with an efficiently honed grasp of timing, but he’s an even better, more astute chronicler of race relations, unearthing true terror in the toxicity of seemingly benign social pleasantries and the enveloping aloneness of the minority experience. Get Out is fundamentally the potent cinematic answer to “I can’t be racist because I have a [ethnic minority] friend”. It’s essential.Hide

The Peoples' Reviews

**Warning - may contain spoilers.**
I wasn't too sure of what to expect from the movie since it wasn't a big budget Hollywood movie and didn't have big names in it. I didn't want to read too much about it to avoid spoilers. Boy was I surprised to be thoroughly entertained with puzzlement, wondering what was going in with that family. Then horror, comedy, realising what it was all about, rooting for the main character, then cheering at the end. The storyline was good. I usually guess plots... More in the beginning, but didn't figure out exactly what was happening till closer to the end. Definitely recommend this movie, and would even watch it again.Hide

A movie that will scare you, cause you think, make you laugh and cheer for the good guys!

BY tsan479 nobody

Get out lives up to the hype, from the uncomfortable music to the fantastic performance by Betty Gabriel this movie will keep you on the edge of your seat the whole time.

The dread in this movie is handled incredibly well, a slow creep throughout the film.

See this in a cinema or with a group, the audience reactions are brilliant to be part of.

Get Out is a excellent piece of cinema that is satirical and intelligent at the same time. You can learn more watching it a second time too! An excellent film, highly recommend

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The Press Reviews

  • An effective, thought-provoking, slow-burn thriller. Full Review

  • Part of what makes "Get Out" both exciting and genuinely unsettling is how real life keeps asserting itself, scene after scene. Full Review

  • There's so much here that Peele gets right, and he delights in turning familiar thriller tropes on their head: In this racially charged context, he knows exactly how to exploit the sight of an approaching police car for maximum stomach drop. Full Review

  • It's rare for a studio horror film to feel this fresh and daring and it's arrived at a frighteningly topical moment for a country where racism is scarier than ever. Full Review

  • A horror film with the power to put a rascally grin on the face of that great genre subverter John Carpenter (They Live), Get Out has more fun playing with half-buried racial tensions than with scaring us to death. Full Review

  • Get Out takes racism's more traditional forms - slavery, incarceration, exploitation, blackface - for a new, thoroughly modern appropriative spin. Full Review

  • Blending race-savvy satire with horror to especially potent effect, this bombshell social critique from first-time director Jordan Peele proves positively fearless - which is not at all the same thing as scareless. Full Review

  • One of the most satisfying thrillers in several years... proves that its first-time director, Key and Peele costar Jordan Peele, has plenty of career options if he should grow tired of doing comedy in front of the camera. Full Review