A Silent Voice(聲の形)
A young man comes to regret the harassment he gave to a deaf girl during his high school years in this animated Japanese drama based on the popular manga by Yoshitoki Ōima.... More
Shoya Ishida starts bullying the new girl in class, Shoko Nishimiya, because she is deaf. But as the teasing continues, the rest of the class starts to turn on Shoya for his lack of compassion. When they leave elementary school, Shoko and Shoya do not speak to each other again until an older, wiser Shoya, tormented by his past behaviour, decides he must see Shoko once more.Hide
YOUR RATING & REVIEWWATCHLIST
BY Liam Maguren Flicks Writer
Based on Yoshitoki Ōima’s manga about harassment and redemption, this Japanese anime works well enough as a gentler alternative to the bleak-as-hell The King of Pigs from South Korea. It may not look as gorgeous as the eye-blisteringly beautiful Your Name, but by sticking with animation, A Silent Voice is able to pull off a unique narrative trick – following its characters from primary school to teenagehood.... More
The film centres on Shoya Ishida who, as a boy, picks on Shoko Nishimiya because she’s hearing-impaired. There’s no underlying reason here; little Ishida just thinks she’s a freak and you’ll want to punch him right in the prostate for how he torments her. It’s only when his fellow classmates exile him as The Bully that he realises how shitty it feels to be the outcast.
As a teenager, Ishida feels incredibly horrible for the pain he caused her, and the film does a great job showing the heavy luggage of regret Ishida has been holding all this time. From the slump of his walk to the giant blue X that covers the faces of the classmates who have barred him (i.e. almost everyone), you really feel for the guy and root for his salvation.
It’s a great setup, but the journey is only a passable one. While it’s bold of the film to tackle heavy issues like suicide and stigmas around disabilities, it doesn’t quite have the warming grace of Hayao Miyazaki (My Neighbour Totoro) or the grounded subtlety of Hirokazu Koreeda (Like Father, Like Son). Director Naoko Yamada often instil a suitably soothing quality to her storytelling, but too often slams the brakes to let the take-home message slam us in the face. It’s especially clunky to see Ishida’s mind get blown when he learns the meaning of friendship.Hide